Ad Alliance from Giso Spijkerman on Vimeo.
ANWB Smart Driver from Giso Spijkerman on Vimeo.
Commisioned by Yune, I worked as VFX Supervisor and Compositor on this fun TVC for ANWB. An Ad to show their traffic assistent app as a little figure living inside your car.
Google Stadia - Official Launch Trailer from Giso Spijkerman on Vimeo.
Worked as freelance On Set VFX Supervisor for Framestore, spending 5 days in Prague Studios together with James Rogers (VFX Supervisor) and Cat Pavitt (Producer)
Showreel time! This is a collection of the projects I worked on in the last 10 years, a mix of commercial work, films and own projects I enjoyed most. I am a freelance VFX supervisor, Nuke Compositor and Matchmove artist.
Commissioned by Michael Visser (3d-mike.com) I worked on this TVC for Karwei as VFX Supervisor and Compositor.
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CREDITS SUMMARY (FULL CREDITS)
Client: Karwei
Regisseur: Menno Fokma
Executive producer: Marlies Huisman
DOP: Niels Boon
Post producer: Michael Visser
VFX supervisor and compositor: Giso Spijkerman
VFX artist: Michiel Krop
Additional VFX R&D: Tim van der Wiel
Commissioned by PlanetX we worked with a small team of freelancers on 11 vfx shots for dutch television.
My work involved assisting on set as vfx supervisor, shooting hdri’s, proper lensgrids and greenscreen setups & all compositing work.
CREDITS
Michael Visser (producer)
Johan Boekhoven (water & rendering)
Michiel Quist (modeling, shading & smoke)
Albert van Vuure (onset vfx supervisor)
Giso Spijkerman (compositing, onset vfx supervisor assist)
Marnix Reckman (rendering)
1 April 2021
1 April 2021
29 April 2016
29 April 2016
29 April 2016
27 April 2016
I am a freelance (onset) VFX supervisor & Compositing- and Matchmove artist with over 10 years experience on dozens of popular TV adverts, feature films and TV series.
Depending on your needs I can assist as Compositor, Matchmover or VFX supervisor in preproduction, onset and postproduction. Providing all the insights needed to setup your shoot as efficient as possible, aiming for the highest quality by having narrow contact with your Producer, DOP and team.
Being onset I'll be working with your Producer and DOP, keeping a VFX log containing all the camera / lens and set information but I'll also bring my onset VFX kit, containing several solutions for highquality HDRI domes, colorchecking the HDRI with the plates, reference Mirror and Difuse ball, loads of (custom) tracking markers, a small and large lensgrid and if needed, a modest 3D photoscanning kit.
In post production I can work as VFX supervisor or Compositor, working with the team to create photorealistic integration of VFX.
Any questions? Please contact me and I'll be happy to come over and shake hands :-)
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